Recognize families
Mae-geri follows a forward direction, yoko-geri a lateral direction, mawashi-geri a circular path and ushiro-geri a backward direction. Ura-mawashi-geri and ushiro-mawashi-geri use other circular organizations. Keage and kekomi distinguish escalation or push intentions in the methods that use these terms. Mikazuki-geri appears in several kata; fumikomi describes a downward action; hiza-geri concerns the knee.
Observe the foot on the ground
The supporting leg and the pelvis accompany the action. A spectacular trajectory can mask an imbalance or a poorly controlled return. Height is a working variable: lower execution helps to observe control. Sautéed variations require special preparation and are not obligatory for everyone. Working in a vacuum, on target and with a partner follows different instructions; the intensity adapts to the course setting.
Four moments to observe
Preparation makes direction possible; the journey carries out the action; the return reorganizes the leg; the new support prepares the rest. A difficulty at the last moment can appear as a fault in the strike when it comes from the foot on the ground. Observe a height allowing you to maintain balance, then compare a different amplitude according to the instructions. A pivot, a gaze directed too late or a blocked pelvis can change the trajectory. Comparing two trials is more useful when it concerns the same moment of the movement.
Do not confuse height, reach and control
A higher leg does not guarantee suitable distance or better control. The range also depends on the support, movement and relationship with the target. For an exercise with a partner, the teacher specifies the zone, the stop and the level of contact. In a kata, the pitch and rhythm respond to the model studied. Mobility work can help explore amplitude, but does not replace the coordination of movements. Save a concrete question for the lesson: at what point do you lose support or the ability to continue?